… it is helpful to think of architectures as ‘archi-textures’, to treat each monument or building, viewed in its surroundings and context, in the populated area and associated networks in which it is set down, as part of a particular production of space. HENRY LEFEBVRE, The Production of Space In this article, I will show how the concepts of space…
These are some considerations suggested to me by a recent conversation I had with a colleague architect, concerning the reception of the concept of space in architecture, before the modern epoch. I hope it can contribute to avoiding some possible misinterpretations, where, in a previous article — Concepts of Space in Vitruvius — I spoke about the possibility to interpret…
Concerning the last issue on the ambiguity of spatial language and its specific application to the domain of architecture — see the article On the Ambiguous Language of Space — I want to make a further digression, which, I hope, can extend the limits of our architectural discussion, and enlarge the overall sense of the spatial/placial question with respect to…
With this article, I shall turn my attention back to the diffusion of the concept of space in architecture, in the first decades of the XX century. Again, this is to show that space should be preferably understood as an ideal entity (to grasp not without epistemological ambiguities) rather than a physical entity existing ‘out there’; an abstract conceptualization or…
In the captions that describe the images of the 74 buildings contained in the seminal book for architects, The International Style,[1] the two American authors — architectural historian Henry-Russell Hitchcock and architect Philip Johnson — speak about every element of the so-called modern style of architecture. With hindsight, we can rightly affirm that just one ingredient is missing from those…