… it is helpful to think of architectures as ‘archi-textures’, to treat each monument or building, viewed in its surroundings and context, in the populated area and associated networks in which it is set down, as part of a particular production of space. HENRY LEFEBVRE, The Production of Space In this article, I will show how the concepts of space…
Since I was an undergraduate student at the School of Architecture, Politecnico di Milano, in the 1990s, the concept of space almost exclusively attracted my attention. I soon learned — from critics and architects — that Architecture was a discipline concerned with space; but it took me a while to understand what that really meant; and it took me even…
I was working on the previous article concerning Heidegger and the Thing when the radio I usually listen to in the background began to playing Billy Idol’s notorious hit, Flesh for Fantasy. That song was one of my favourite in the mid-80s, so I pumped up the volume a little bit and I enjoyed its sound for a couple of…
This video-clip is a survey on Perception and Geometry and it shows the process of construction of an architectural form, analyzing a case study based on the preliminary concepts of the author’s project Vaxjo Tennis Hall. The showcased three-dimensional model, whose lines and surfaces define an architectural text similar to a texture – this language I also call archi-texture or…
1. The Fabric of Reality and its Continuum In this article, I will use the terms continuum, physical continuum, dimensional continuum or even extensive continuum, to refer to the reciprocal order of things and bodies ingrained in the material substrate in which things and bodies exist and move.[1] This continuum is the invisible substrate we should think about when we…