… it is helpful to think of architectures as ‘archi-textures’, to treat each monument or building, viewed in its surroundings and context, in the populated area and associated networks in which it is set down, as part of a particular production of space. HENRY LEFEBVRE, The Production of Space This article explores how the concepts of space and place shaped…
Since I was an undergraduate student at the School of Architecture, Politecnico di Milano, in the 1990s, the concept of space almost exclusively attracted my attention. I soon learned — from critics and architects — that Architecture was a discipline concerned with space; but it took me a while to understand what that really meant; and it took me even…
I was working on the previous article concerning Heidegger and the Thing when the radio I usually listen to in the background began to playing Billy Idol’s notorious hit, Flesh for Fantasy. That song was one of my favourite in the mid-80s, so I pumped up the volume a little bit and I enjoyed its sound for a couple of…
This video-clip is a survey on Perception and Geometry and illustrates the process of constructing an architectural form, using as case study the preliminary concepts behind my project for the Växjö Tennis Hall. The three-dimensional model presented—its lines and surfaces defining an architectural text akin to a texture, what I call archi-texture or archi-textures (see the related article)—may be seen…
1. The Fabric of Reality and its Continuum In this article, I will use the terms continuum, physical continuum, dimensional continuum or even extensive continuum, to refer to the reciprocal order of things and bodies ingrained in the material substrate in which they exist and move.[1] This continuum is the invisible substrate we should think of as the arena (or…